Birch Floral Robe

Let’s just gloss over the fact that I haven’t used this blog in literally years, and get straight to the point.

This robe. It’s a bit special, as it’s an example of extremely rare (for me) selfless sewing. I made it for my little sister for Christmas– I’ve been promising to sew her something for ages– and she seemed really happy with it.

The pattern is M6659 from McCall’s Patterns, sewn up in lovely Rifle Paper Co rayon, printed by Cotton + Steel. The print is Birch Floral in Crimson, bought from

The fabric is everything I wanted it to be. Vivid color, lovely drape. Just perfect for a cool, summery robe. I wouldn’t hesitate to buy Cotton + Steel Rayon again, I can’t think how it could be any better. In fact, I’ve got three more cuts of the stuff in different prints, waiting to be turned into more robes.

The pattern was not everything I wanted it to be, although it got the job done.

I modified it to add ties instead of a belt (much less prone to slipping open), a loop at the back neck for hanging on a hook, and pockets. It drives me nuts how many patterns don’t include pockets– why on earth would anyone want to go without them! It seems so simple for the designers to just include them, and saves the person sewing the hassle of figuring out where to place them. I firmly believe pockets should just be standard. I love all three of these modifications, and will definitely make sure that any robe I sew has them.

I also made some minor fit alterations. My sister is B37.5″, W30.3, H41.5″. The size 16 size chart measurements are 38-30-40, so I went with that. She was closer to a size 18 (42″) in the hips, but due to the loose fit there, it was fine. The only alterations I made were sleeve length and hem length– the sleeves were ridiculously long, while the robe itself was excessively short. I took off 2″ at the sleeve hems, and added 2″ to the robe length. My sister is quite tall, so I imagine that most people would need to shorten the sleeves. As for length, well, if you want to lounge comfortably without putting on a show, a bit of extra length is definitely a good idea! I did make the shorter variation of the robe, the longer variation is probably about mid calf length. On the pattern the short version is shown being worn over pajama pants, but I prefer to wear robes on their own. My sister has been wearing hers over her swimsuit, by the pool.

The biggest point of dissatisfaction I have about this pattern is that the armholes/upper sleeves are a bit tight. Tighter than you’d want for a casual robe (are formal robes a thing?). My sister has relatively slim arms, so it’s still definitely wearable, but it’s still slightly tighter than I’d like. I read this in the reviews before making the pattern, so seems i’m not the only one who has found this issue. If you make this pattern for someone whose arms aren’t relatively slim, keep in mind that you may need to do some alterations there.

Another issue was that I was unable to fit all the pieces on my fabric. The pattern called for 4 3/8 yards of 45″ wide fabric, for both the robe and belt. I had 4 1/2 yards of 44″ wide fabric, and it wasn’t enough. I should have laid out the pieces according to the instructions, to see if that 1″ really made the difference– I kind of doubt it, but I didn’t check. The problem may have been that I lengthened the robe 2″, but I’m not sure. In the end, I had to cut each neck band in two pieces. The fanric is busy enough, fortunately, that the seam isn’t visible.

My next sewing project will be a robe for my mum. I’m worried about the sleeve/armhole fit, and I can’t be bothered to fuss with major alterations on something like this, so I’m planning to abandon ship on this pattern and try out the Suki Kimono pattern by Helen’s closet. It seems pretty popular, and I’m eager to compare. I think I’ll use that for a robe for myself, too– will post about how that goes.

Sound Circle Brumby


Megan Nielsen Brumby Skirt

Shirred back Brumby skirt

A while back, I made a loose waisted Brumby skirt/Staple dress mash-up. Since then, I’ve worn it a couple times (especially on airplanes), but I was always dissatisfied with it. I enjoyed sewing it, because I was trying something new, and I liked the concept and the comfort.

However, in practice the neckline was wonky, the split sleeves didn’t sit right, and it was just too much of a sack. I knew I had to do something with it, because I love the Nani Iro Sound Circle double gauze fabric. Originally I was going to try to alter it but keep it as a dress, but in the end I decided to just turn it into a Megan Nielsen Brumby Skirt.

There’s something different about this Brumby, however– it has a shirred/elastic back waistband!


the shirred back waistband

I’ve been wanting to try this for ages, but it took me a while to figure out how to actually do it. In the end, it worked out so well, and I’m so happy with it! I know this skirt will get a lot more wear than the original dress.

The stretchiness means it’s extremely comfortable, and will be absolutely perfect for travelling, because even if my weight fluctuates it’ll still fit. I’m definitely doing this hack on my next Brumby skirt– if anyone would like a tutorial to see how it’s done, let me know, because I will be making it soon ūüôā


hammock tested ūüėÄ


Tote Bags


Two new bags, with one I made a while back in the middle.

I feel like tote bags are becoming my signature item. A month or so ago I made four of them, and then two days ago I finished another two. I’d started those last two before Christmas, and then left them in Australia. Now I’ve left Korea and I’m back home, so I could finally get them finished.

I absolutely love these tote bags, they’re so practical and sturdy, and leave a lot of room to play with prints. They also make great gifts. Of the eight tote bags I’ve made in total, only two of them were for me.

I won’t say too much about the construction, because I’ve already blogged about the first two I made (the leafy ones), and they’re pretty much exactly the same, except that the denim and cactus ones have slightly different dimensions. For those, they’re an inch narrower, and the base is an inch (half an inch?) shorter. The straps are also an inch shorter, because I’m a bit short and they were coming too close to dragging on the ground. I did the corners 3″ in along the bottom seams.

the pieces laid out for construction

The two denim ones are for some male friends of mine. I used dark denim for the base and straps, and a lighter denim for the main body. Both bags have classic caramel-coloured top stitching. All the fabric for these is from Dongdaemun Market in Seoul.

a peak at the tropical lining

Friend A is a great artist, and I made his in exchange for a drawing. He picked out the fabrics, including the lining, which I really love. The panel piece had six squares of different tropical prints– leaves, flowers, pineapples, flamingoes. For the internal pocket, I used a yellow zipper. I usually do Xs on the straps at the top of the body, for extra strength, but on one of them I did an A for his name. A little personalized detail which makes me smile. The total effect is perfect– the bag is fairly simple and masculine on the outside, and fun and flamboyant on the inside. Just like my friend! He’s really happy with it, and takes it everywhere– huge success.

Friend B’s bag is a bit simpler, with plain unbleached canvas for the lining. It also has a yellow zipper for a little splash of color. There’s a seam down the centre of one of the main body pieces, because I didn’t have enough fabric to do it in one piece. I thought it added a bit of interest, and emphasized it with top stitching.

the bag for Friend B

When Friend A said he wanted denim on denim for his bag, it made me think of Friend B, who was infamous in uni for rocking the “Canadian Tuxedo” look. I like making these bags in pairs, so it was pretty perfect to just make another with the same main fabrics. He doesn’t know he’s getting it yet (the chances of him reading this blog are very, very low)– I hope he likes it!

The next two I made using black 9 oz. duck canvas from for the straps and base, and cactus print canvas from Miss Matatabi (sold out)¬†for the main body. I made one for a close Korean friend who was so helpful to ¬† Me while I lived there, and one for myself. They’re identical except that mine has a join on the back piece of one of the straps, because I was low on fabric. It’s not noticeable at all because it’s on the part that’s stitched down along the body. Plain unbleached canvas for the lining, and black for the zippers. My friend seemed happy with hers, and I’m very happy with mine– before, I constantly used my leafy tote, but now this is my go-to bag. The leafy tote was designed for my parents (Dad has completely taken over their one and uses it a lot!), this one feels more “me”.

with my recently made Papercut Patterns Clover blouse

The last two totes used 7 oz. hunter green duck canvas from for the base, 9 oz. brown duck canvas for the straps, and “Robobear” printed canvas from Miss Matatabi¬†(sold out) for the main body. Miss Matatabi really is my favourite source for printed canvas. The lining is also unbleached canvas from the market in Seoul. These two are for my parents, to take to our family holiday house–named Bear Camp– in the California redwood forest. These were meant to be Christmas presents, but better late than never!

Our cat Bitey approves.


Monochromatic Clover

Papercut Patterns Clover Blouse

Papercut Patterns Clover Blouse


Today I’m sharing my version of the Papercut Patterns Clover Blouse, the second most recent thing I’ve sewn. I just finished it two days ago, although I’ve actually been doing quite a lot of sewing lately, and there are some other projects I’ve yet to blog (or put finishing touches on).

I really didn’t think I would love this blouse as much as I do, but it turned out a lot better than expected. I was actually resenting it a little before the fabric was even cut, because I’d made a few weak fitting attempts a few months ago before chucking it aside. I’m so glad I decided to give it another go.

The main fabric is a viscose rayon from Dongdaemun Market in Seoul. I say that as if I know what I’m talking about, but I don’t really, I’m just guessing that’s what it is because it feels a lot like a viscose in my stash. Dongdaemun market is absolutely amazing for this type of fabric, the top floor of one of the buildings has a couple stalls with a lot of different prints, all for about US $3 a yard. I’m leaving Korea for good in a week, but I’m seriously considering heading to Dongdaemun to stock up some more– cheaper to buy it here and ship it home than to buy it on Australia!

The fabric behaved pretty well, I had heard that sewing with rayon is difficult but it seems that the things I fear most in sewing always turn out to be not that difficult after all (ahem, buttonholes.)¬†I had to slow down, be a bit more careful, use some extra pins, but it really wasn’t that bad. It left me feeling confident about sewing with rayon (…and then my next project with rayon challis totally dashed that confidence. Rayon challis is officially on my bitch list. But that is a story for another day). The bust inset is made with aforementioned rayon challis, but those pieces are small so didn’t cause¬†excessive grief.

In terms of construction, things didn’t go completely smoothly. Because I just can’t resist making things harder for myself (and really, because boobs), I did a full bust adjustment. This is what was behind those two unsuccessful muslins a few months ago.

Random slightly related note: why does my smartphone still correct muslins to Muslims? I feel like if it’s so smart it should have picked up that I don’t spend all my time making Muslims… Wouldn’t even know where to start.

I originally made a size XL muslin but I didn’t like the fit around the shoulders, so I used a size L with a 2″ fba (for a total of 4″ added). According to the chart, size L is for a 41 1/2″ chest and 34″ waist. I’m currently more like 47″ and 35″, but there’s a lot of ease so with the FBA there was plenty of chest room. It was the right amount to add but I had to guess at where the apex would be. I guessed wrong, and my darts ended up pointing down to imaginary tits which are far saggier than mine. At least the shoulder fit was really improved so I knew I was on the right track.

This time, I redid the FBA with a different bust point, and then split the rather chunky dart that resulted into two smaller darts. Remember what I said about making things difficult for myself? Yeah. Took a no-dart bodice and turned it into a 4-dart bodice. Typical.

When I made it up, I realized the dart tips were far too close together, causing some puffiness at the points. I extended the darts longer, and that helped. They’re still a bit long, and not as smooth as I’d like, but thanks to the print it’s not very noticeable. Next version, the dart points will be further apart! They should also probably be a bit lower, went a bit too far in moving them up.


Detail of bust inset, before neck binding

There WAS one major drama involved in constructing this top– that infamous bust inset. I’d read online everywhere, and experienced with my muslin, that it’s too long. I thought I would just line it up from the outside in, and trim it off at the centre front– this did not work out at all. After a very frustrating hour of trying to pick tiny and nearly invisible stitches out of the rayon, and stretching it out of place, I admitted defeat and ended up re-cutting the entire front.

My advice to anyone making this top is to very carefully pin the bust inset to the other front pieces outwards starting¬†from the centre front. Also, be careful to align along the stitch line, not the cut edges. Mark the stitch line in with a pen or chalk, or do lines of stitching as a guide if your fabric is robust enough, to help you line them up.¬†It bugs me to no end that the inset point wasn’t trimmed off on the pattern pieces so you could simply line it up with the cut edge. (Does anyone know why some designers don’t do this– is there any advantage to it?) After your pieces are stitched together, if the inset is too long, you can simply trim it off along the shoulder edge.


The bust inset came up longer on one side than the other, because I used a line of stitching on one of the black pieces as a guide, and it gathered the fabric up slightly. Once everything was sewed together, I trimmed off the excess at the outer edges.

Tl;dr: pin from the centre front outwards, NOT from the shoulder edge inwards, then trim the excess.

Anyways, once I’d moved past the trauma with the bust-insets, things went pretty smoothly. I didn’t follow the hemming instructions, but instead zigzagged the raw edges, ran a long of stitching 1cm from the edges as a guide, and folded it along that line and then again to totally enclose the raw edges. I think it’s neater than just turning it up once, as the instructions would have you do.

I mostly made this top as a trial to see whether the bust inset would sit too low on me to do it in lace (it doesn’t!). In the end, I ¬†love¬†this top– I love the curved side seams, and how the rayon drapes perfectly. The top may be loose around the waist, but it’s not a tent. Rayon is really the perfect fabric for this pattern. I

‘m so happy with this top that I’ve already gone ahead and made myself another, which I finished this morning– will blog it as soon as I can get some good pics!

Sound Circle Staple Brumby

Megan Nielsen Brumby skirt and April Rhodes Staple dress hack

Took these pictures while visiting home in Sydney…now back in freezing Korea, and dreaming of sunnier times!

This dress is a mix of the April Rhodes Staple Dress and the Megan Nielsen Brumby Skirt. I made it from Nani Iro double gauze (the print name is “Sound Circle”) which I bought from my favourite online fabric store, Miss Matatabi.

I absolutely love the Brumby Skirt (those pockets!), and I’ve been wanting to use it in a dress. Originally, I had planned to use the Papercut Patterns Clover Blouse for the top, but after two muslins I was unhappy with the fit. I think that I was being too fussy, and the main problem was just that with my bust the Clover Blouse requires something drapier. I’m planning to give Clover another go with¬†a rayon and lace soon. I then considered using the¬†Grainline Studio Scout Tee, but I had my heart set on trying out a split sleeve detail (inspired by a RTW top I have and love), and it¬†wouldn’t work with set in sleeves. Kimono sleeves, however, are perfect for this detail, and that’s how I decided to use the Staple Dress for the top.


The armhole is too big… when I hold my arms out, you can look right up it and see my bra!

Honestly, I should have skipped the split sleeves and used the Scout Tee instead, and I’m really kicking myself that I didn’t. The double gauze just isn’t drapey enough and¬†the split sticks out awkwardly when I slouch. I’m keen to try split sleeves again, but I’d¬†only do it in rayon.

I’m not super happy with the fit of the Staple Dress- the neckline and upper chest gape a lot, and just don’t sit nicely. This is a problem which I have with my two previously made Staple Dresses (Sen Ritsu and Mountain View) as well. Given the fit problems, this wasn’t a well thought out pattern choice… I guess I assumed the problem would just magically go away. Imagine my sarcastic shock when¬†it didn’t. Vigorous¬†eye-rolling ensued.

Right or wrong (plenty of wrong), here’s how I did things. I cut the Staple Dress pattern off roughly at the waist,¬†using my traced and altered pattern pieces from previous Staples. I swore profusely when I noticed I’d somehow managed to cut two backs, then calmed down somewhat when I realised¬†it was an easy fix because¬†the only difference between the front and the back was the neckline (no wonder it¬†doesn’t work well on my shape!).


Two backs….ruh roh. They look like different sizes but it’s just the angle.

To make the split sleeve, I removed the seam allowance along the shoulder seams, and bound each shoulder seam separately with exposed self bias tape. I then¬†sewed up the bodice side seams, and bound the neckline and sleeve hems with more exposed self bias tape, with the bound shoulders zigzagged up against each other, so that the neck and hem bindings held them together. I’m now thinking that I probably didn’t remove any seam allowance at the neck to account for the exposed bias finish, and maybe that could be contributing to the gaping neckline? I don’t remember, and unfortunately an unplanned phone sync wiped all my notes.


Neck and Sleeve binding in progress

With the bodice done, I assembled the Brumby Skirt (size XL) according to directions, but cut the back piece on the fold to omit the seam and zipper, and left out the waistband. I closed the side seams,¬†then gathered the skirt directly to the bodice. I used shirring for the gathering– it’s my favourite way to do it, so much easier and quicker than the normal thread pulling method! I just did a line of shirring on either side of the seam allowance, ¬†stretched and pinned the skirt to the bodice, stitched them together, then removed the shirring. This skips the drama of gathering¬†the skirt to the exact right length, and it ensures that the gathers are even.

I was originally planning to elasticize the waistline, but when I tried the dress on, I had second thoughts. The sack shape doesn’t look so great on me, but it feels so free… and it’s a very Japanese silhouette, which seems to go well with the Japanese fabric. I asked for advice on instagram and most people suggested I just leave it loose, so I figured I would follow that advice, and try out this new look, at least for a while.


The pic I used for my little instagram poll

My feelings about this dress are mixed– the neckline gaping, and the way the split sleeves stick out as I move/slouch, really bug me. The lack of waistline definition feels unflattering, and the bodice feels far too wide. It doesn’t sit nicely around the underarms, and I feel like maybe I need to take it in. Yet despite¬†all these complaints,¬†I haven’t done anything about it- partly because I’m not sure exactly what to do, and partly because it just¬†feels so good.¬†Because it’s oversized and unfitted,¬†It’s super comfortable, and I feel like the fabric (which I love)¬†is interesting¬†enough to compensate somewhat for the unattractive shape. I particularly enjoyed wearing it with leggings on the long plane trip to Australia over Christmas. I made this dress nearly two months ago, and although¬†I’m not sure I really like it, it’s actually gotten quite a lot of wear.

I’ll¬†to continue to think about¬†about how I might be able to improve it (Elasticising the waist, re-doing the neckline, taking in the sides, stitching closed the split? Suggestions welcome!), and deliberating whether it would even be worth it. Perhaps it’s good for me to have one sack dress, for those days when a waistline is just too much of a struggle. I actually kind of want to make another loose (but not SO loose!) waistline dress, this time using rayon, and either combining¬†the Scout Tee and Brumby Skirt, or a Southport Dress bodice and a simple gathered rectangle skirt, patch pockets, and waist ties.

In the meantime, however, I’ll keep wearing and enjoying this one!




Mountain Views Southport Crop Top


Hiking in the Royal National Park

New year, same old apologies for negligent blogging…let’s just skip over those, shall we? With 73 days since the last post (and a year and a day since my first!) it’s a good thing I have no ill-conceived ambitions to achieve sewing blogger stardom.

Speaking of the new year, this not particularly recent make ties in with my New Year’s Resolution. I know, I know– as soon as you call something a New Year’s Resolution, you’re basically instantly condemning it to failure. My own track record for resolutions is abysmal. But I’ve been thinking– maybe my resolutions always fail, because they’re always exactly the same. Doesn’t the old saying go that the definition of insanity is doing the same thing and expecting different results?

Every year, for as long as I can remember, my resolution is some variation of that same tired old cliche– lose weight. Lose weight, because then everything will be better. It’s pretty clear that this hasn’t been effective.

So this year, inspired by this wonderful article from Cashmerette, I’m trying a different tack. Clearly, my vain attempts to hate myself thinner haven’t been effective– and anyways, since I’ve started sewing, I’ve found the fervour of my self loathing gradually diminishing. For 2016, my New Year’s Resolution is to (at least try to) stop letting insecurity hold me back.

I’m starting to think that my body isn’t as problematic as how I feel about my body. Social anxiety. Avoiding yoga classes for fear of judgement, and reluctance to run because of all the public jiggling that it entails (I know feeling like I’m too fat for exercise is ridiculously counterproductive, but there it is). Worrying that I’ll be mocked for flirting, and hesitating to wear what I really want to wear. Those are products of my mentality more than of my weight, and they’re not helping me lose weight but they ARE getting in the way of feeling happy. I don’t judge other larger women harshly, so why do I do it to myself? ¬†Enough!

I’ll be honest, I’d still like to lose weight. I can’t pretend that society’s general disapprobation of my body doesn’t bother me at all. More importantly, ¬†I don’t feel as healthy or strong as I have in the past, when I was a bit slimmer. However, I’m thinking that I don’t need to hate myself in the meantime, and that weight loss isn’t the only or even most important goal to fixate on.

Sewing has been such an important part of my improving relationship with my body. Being able to make and wear nice clothes which express who I am, which make me feel good, has been huge for me. I’m no longer ¬†forced to subject myself to the shame-filled search for decent clothes, or the humiliation of sometimes not fitting the largest size in the store. I’m also able to experiment with new looks, and wear things that “girls like me aren’t supposed to wear”. One of those things is the crop top.


By Karloo Pools

I’ve been thinking for a while now that the high waisted skirt and crop top look can be really cute on chubby girls. This post by Cashmerette (yes, total blog crush) further sold me on it. So, I decided to give it a go for myself.

I made this top out of the True Bias Southport Dress pattern, with the same adjustments (including fba and added darts) as my two  Southport dresses. All I did was leave off the skirt and drawstring casing, and narrow hem the raw edge. A super simple make, barely squeezed out of some precious fabric leftover from my Staple Dress. The fabric is Mountain Views double gauze by Nani Iro, quite possibly my favourite fabric ever.

So far, I’ve been wearing this top with my denim Megan Nielsen Brumby Skirt— on its own here in Sydney where I’m visiting for Christmas, or with a navy cardigan, tights and boots back in Korea. I’ll admit, I don’t feel entirely comfortable in it. Although you can’t see any midriff in these pictures, it does flash skin as I move. However, at the same time, it feels cool and breezy and strangely liberating. I plan to keep wearing it, regardless of my fears of what strangers (or even some of my judgier friends) are thinking. It fits in well with my resolution, and each time I wear it, it gets easier.

To anyone reading– are there any styles which “people like you” aren’t “supposed” to wear, but you’re secretly wishing to try? It’s a new year– maybe it’s time to be bold and try them out!


On the boat, my last day in Sydney before heading back to Korea!


Denim Brumby

Megan Nielsen Patters Brumby Skirt

Didn’t notice that my top was twisted and showing a strap on my swimmers… oops!

I find it really hard to get excited about sewing basics. With my love of colorful prints, the idea of sewing a plain denim skirt feels excessively dull. However, my love of colorful prints is a bit problematic for my goal of an entirely me-made wardrobe…I’m definitely not cool enough to pull off the clashing prints look, so I need to occasionally suck it up and sew some basic, versatile separates. That’s exactly what I did here, and it wasn’t nearly as dull as I’d feared. Somehow this plain denim skirt turned out to be really satisfying!

It probably helps that the pattern itself isn’t all that plain. It’s version 1 of the Brumby Skirt by Megan Nielsen Patterns. It’s a gathered skirt with large curved hip pockets, a wide waistband, and top stitching. I particularly love the pockets. I think they make the skirt interesting despite the ultra-boring fabric, a mid-weight medium-colored mystery denim from Dongdaemun Market in Seoul. I can’t wait to make another Brumby, I’m thinking I’ll use a Liberty Lawn that I’ve been hoarding for a while.

denim Megan Nielsen Brumby Skirt

Top AND skirt are twisted… sigh. One day I’ll get this whole photo-taking thing right!

Size-wise, I had to make some adjustments… Which brings me to my only gripe about Megan Nielsen Patterns. My waist is currently about 35 inches. This puts me at the second biggest size for By Hand London and Grainline Studio, and between the third and second biggest (standard) sizes for Colette. For Sewaholic, I’m the biggest of their old sizes, but they’re releasing their new patterns with two sizes which are bigger than that. I am well aware that I am at the upper end of the size chart for most indie patterns… But For Megan Nielsen Patterns, I don’t even fit on the chart! Their biggest size, XL, is for a 34″ waist. I don’t know why their size range is more limited than some other major indie brands, but I think it’s a shame. These are beautifully designed, beautifully packaged, and great quality patterns. Given that so many sew-ers are on the plump side (dissatisfaction with RTW patterns is what drives a lot of us to sew in the first place!), I imagine there are a lot of ladies out there who would love to use these patterns, given the chance!

Denim Megan Nielsen Brumby Skirt

Feeling good about my new skirt, in my classroom at school. Forgive the rumpled hem, I’d been sitting on it all day!

Very fortunately for me, my waist is only a little bigger than the XL measurement, and my hips are actually a little smaller. This means that it was no problem getting the Brumby skirt to work for me. As it’s a gathered skirt, all I had to do was sew the waistband with a smaller side seam allowance. By using a 1/4 inch seam allowance here rather than 5/8, I got that extra inch I needed. I also sewed the skirt side seams with a 1/2 inch allowance, although that wasn’t really necessary. I own a copy of the Tania Culottes pattern, and I’m really looking forward to making them. I’m expecting that I’ll be able to get around the size issue in the same way.

Construction went smoothly, for the most part. I used the new Megan Nielsen Patterns App, and it was so handy! I don’t think I even looked at the printed instructions. As there are three different variations, the app made it super quick to locate the information I needed.

The only hitches came with the invisible zipper. On the app, for Step 6 for the zipper, it shows the wrong side of the fabric where it should show the right side– that messed with my head! I looked it up online and figured it out. I ended up top stitching the zipper down, rather than do it according to the instructions, because it was easier and faster.

The other problem with the zipper is that it ended up being way too low! I think I gathered too close to the seam, and so my measurements were off. But also, it says to mark out a 10″ box for the zipper… But with a 9″ zipper and a 5/8″ seam allowance on the waistband, doesn’t that leave it 3/8″ too short? It’s not a problem I’ve seen others mention, so I guess there must be something I’m not understanding, but I can’t figure it out.

So for whatever reasons, my zipper came up way too short. Because inserting it involved a cut, I couldn’t just rip it out and sew it higher. What to do? Well, I remembered seeing someone making a tab to cover this same problem. Unfortunately I can’t remember where I saw it, or whether it was also a Brumby skirt. It seemed like a good idea, so I did the same. It’s stitched down on one side of the zipper, and on the other it attaches with sew-in snaps. I’m just going to pretend it’s not there to cover a stuff up, and call it a design feature. Saved!

Improvised solution to my problematic zipper insertion

It was my first time doing contrast topstitching. I used a caramel colored topstitching thread, it’s like the classic denim topstitching color. I feel like it gives the skirt a really finished look… As long as you don’t look too closely at my wonky stitches! My seam ripper definitely got some action there.

For hemming, I turned it up 1.5″ instead of 2.5″, and this ended up being the perfect length for me. I’m only a bit under 5’3, so if you’re much taller, it might be a little short if you follow the directions (depending on your inclinations!). Personally, I’m certainly not one to avoid showing a bit of skin, but I wanted it to be something I’m comfortable wearing to work. I’m an elementary school ESL teacher, and I definitely don’t want to be giving the kiddies a flash of my undies whenever I bend over a desk!

I rather frantically finished this skirt just in time to take it on a trip. Literally completed 25 minutes before I had to run out the door, and I hadn’t packed yet. It was a scramble, but worth it. My friend and I went to a Korean island called Ulleungdo. It’s a pain to get to, but absolutely gorgeous, and we had a lovely time. I enjoyed wearing my new skirt there, It’s always nice having something new to wear on vacation!

Hiking on Ulleungdo , and island in the East Sea of South Korea

One of the ports on Ulleungdo. The main business here is squid, those are all squid boats. At night, you can see their lights out at sea.